Collected Writings, pp.68.

  • Simplicity: PASSIVE ambiguity of import
  • Complexity Structures: ACTIVE projection of multiplicity
    • incorporating alternative and competing trajecto­ries as constituent contradictions making out an essential element of their ex­pressive substance
  • reductive phenomena & what evoked by complex constellations
    • one’s reaction to reductive phenomena can end up by being highly differentiated;
    • that evoked by complex constellations can, equally, be flat and undifferentiated.
  • intention and nature of composition
  • quality of refusing to present a straightfoward object
    • it is always perceived in the act of underlining its own ongoing and provisional nature.
    • It doesn’t present the illusion of not being an illusion-in large measure because of the continual problematization of the performance/interpretation context.